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650-316 exam Dumps Source : SP Video aspect II - Media Satellite and(R) Broadcast

Test Code : 650-316
Test title : SP Video aspect II - Media Satellite and(R) Broadcast
Vendor title : Cisco
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Cisco Cisco SP Video Phase

more advantageous collectively: Cisco and BBVA pioneer a brand modern skill exchange | killexams.com true Questions and Pass4sure dumps

For complete of the talk of simulated intelligence within the IT industry, americans are as crucial to constructing a a success commerce as ever. but when the technology landscape is changing so right away and claim is so intense, the historical approaches of setting up teams not suffice. BBVA and Cisco are taking a brand modern path collectively.

continuous studying is every person’s accountability

ahead-thinking agencies are prioritizing how they nurse engineering skill and adapting their practices to the modern competencies atmosphere. BBVA is a pretty satisfactory instance.

“The first-rate problem they physiognomy within the locality of coaching is that the cycles of skilled obsolescence are more and more shorter and complete of us will endure an ever improved want for perennial practicing complete through their knowledgeable careers. The company fashions, the applied sciences and the parameters with which they operate these days will probably change an outstanding deal in two or three years. So, either they are capable, every and each one among us, of recycling ourselves perpetually, or this risk of expert obsolescence may breathe very critical.”

Ricardo Forcano, Head of skill and tradition, BBVA

across the BBVA group, IT teams endure for some years engaged in hackathons, skill courses and innovation competitions. Engineers edge from entry to a variety of varieties of gaining knowledge of and progress activities, together with video lessons, mentoring, in-grownup training and knowledge-sharing communities such because the Ninja Academy and Tech university.

a brand modern approach to bridging the talent hole

The pecuniary institution is always keen to find modern ways to reinforce the edge and knowledge of its groups, and because the next step in its strategic partnership with Cisco, BBVA has embarked on a pioneering modern talent trade.

The principle is basic — a select group of engineers from BBVA next applied sciences Come to reside and drudgery at the Cisco CX Academy in Krakow, Poland, discovering shoulder-to-shoulder with an consumption of Cisco’s personal early-in-profession engineers. This section of the alternate began in September 2018. as soon as it completes, it’ll breathe Cisco’s flip to ship engineers to discern BBVA engineering from the interior.

With the BBVA engineers settled in Krakow, they interviewed them to learn the artery they had been getting on.

as the video above makes clear, the talent trade isn't just a working towards software. The engineers of course improvement from being immersed in world-leading technical and enterprise training, however additionally build effectual relationships that allows you to endure during their careers.

furthermore, BBVA receives an inflow of talents into the latest Cisco technologies, whereas Cisco merits from entertaining first-hand perception into the realities of IT within the banking and monetary features sector.

Such an easy alternate of skill between partners appears fondness it would breathe convenient to do, but few businesses endure the mutual reliance and respect to build it ensue in practice. It’s testomony to the force of the connection between Cisco and BBVA that the talent change is off to a flying start. Already, the teams are planning a artery to remove the program to the subsequent stage.

learn more concerning the variety of relationships they construct with their consumers through their CX features here.

Are you the talent of the long run? discern what it’s want to breathe fraction of the CX Academy here.


The cyber web will add 1.four billion modern users by using 2022 as the world enters the multi-zettabyte era | killexams.com true Questions and Pass4sure dumps

Cisco's visible Networking Index forecast replace for 2018 suggests that there might breathe 1.4 billion more americans the spend of the information superhighway by means of 2022 than the three.4 billion users in 2017. there will even breathe massive enlarge in M2M and in 5G connections.

The 4.8 billion users characterize about 60% of what the global inhabitants may breathe in 2022, assuming there could breathe 8 billion people on this planet. Having more internet users additionally skill that ever-increasing quantities of statistics might breathe transmitted over the cyber web, organising the multi-zettabyte era. through 2022, information superhighway clients will ingest 4.8 zettabytes of records a year, which is 11 times the amount of IP site visitors generated in 2012, with 437 exabytes.

A zettabyte is 1 trillion gigabytes, or 1,000,000,000,000,000,000,000 bytes.

SEE: wireless networking coverage (Tech professional analysis PDF down load)

The index above complete measures what number of gadgets and connections can breathe supported by artery of international IP networks. "We accomplish not count on that every person is using the fastest connection or has the quickest connection viable. There are variables, so they seem at the enlarge after which what people are doing on the community. Which, not enormously, is video. They checked out how the composition of that video is altering in many ways," defined Thomas Barnett Jr, director of SP notion management for Cisco.

an poverty-stricken lot of that boom will Come from rising markets. In North the us and Western Europe the markets are mature, with 90% of the population already the spend of the internet. In components of Latin america, the focus East, and Africa, in addition to rustic elements of Asia Pacific, there is nevertheless margin for increase, Barnett pointed out.

The number of gadgets and connections will develop even sooner than the variety of web clients.

There can breathe a complete of 28.5 billion instruments and connections in 2022, compared to 18 billion in 2017. Broadband speeds will continue to raise, to 75.four Mbps in 2022, in comparison to 39 Mbps in 2017. The index likewise printed that 82% of web traffic will Come from videos, in comparison to 75% in 2017.

global-internet-growth-cisco.jpg

photo: Cisco

5G connections by means of 2022

The index likewise checked out 5G and the situation it should breathe within the following few years.

at this time 4G is the paramount mobile connection category, and there are issues in regards to spectrum, capability and how carrier suppliers will transition from older networks into 5G, Barnett observed.

SEE: 5G expertise: A enterprise leader's ebook (Tech seasoned analysis)

"At this factor, we're looking at about four hundred,000 5G connections through 2019. That grows more than 1,000 fold to over 400 million through 2022. The 5G connections would depict about 3.four% of complete cellular or cell connections by 2022," Barnett referred to. "We discern 5G as being driven mostly with the aid of IoT...during this age I don't account that there can likewise breathe a 'build it and they will come.' There must breathe suitable spend situations of revert on investment and different things that build it profitable, not best for the carrier company, but for an conclusion consumer. The performance of 4G for a lot of is very satisfactory at the moment. that is why they cogitate IoT may breathe one of the crucial key drivers, particularly with smart cars and other functions that require low latency and better speeds. 5G may well breathe an top-rated access category for those forms of purposes.

increase in M2M connections

more than half (51%) of the connections via 2022 can breathe laptop to desktop (M2M), with 14.6 billion connections.

"That translates to about two computing device-to-computer connections per capita globally. Which is very large, on the grounds that there will breathe just about eight billion by means of 2022," stated Shruti Jain, senior analyst for Cisco. "this is a worldwide phenomenon. the entire areas are going to breathe transforming into within the nearby of a 20% combined annual growth price. It isn't restricted to any developed or any rising regions. it breathe very a remarkable deal a global trend at this factor."

The index likewise confirmed that the connected home will breathe the biggest segment of M2M connections complete over this time duration, however the fastest boom will Come from the linked car phase. Cities will even breathe including M2M connectivity as fraction of wise city increase. The connections will encompass video surveillance cameras for public safeguard and security, as well as for different video-founded functions similar to in-vehicle leisure and infotainment.

additionally see


Cisco Drives the mobile cyber web for more advantageous Video adventure throughout instant Networks | killexams.com true Questions and Pass4sure dumps

BARCELONA, SPAIN--(Marketwire - 02/13/eleven) - From the 2011 GSMA cell World Congress, Cisco (NASDAQ:CSCO - information) today introduced Cisco® circulation, a strategic framework that comprises modern options to permit service suppliers to superior control, raise and remove pecuniary edge of the rapidly becoming volume of mobile video and facts traffic.the brand modern Cisco circulation (Monetization, Optimization, Videoscape event) options consist of Cisco cell Videoscape™, Cisco provider provider Wi-Fi and Cisco Adaptive ingenious Routing (AIR). Cisco tide solutions signify the subsequent fraction of Cisco's provider company Mobility strategy, which enables carrier providers to better monetize and optimize their networks, while offering personalised mobile features across wired and wireless networks.the modern Cisco toddle options span the cellular community -- from customer to network to cloud -- and are designed to address the expanding quantity of mobile information traffic -- notably video. in response to the recently launched Cisco visible Networking Index (VNI) world cellular facts site visitors Forecast for 2010 to 2015, two-thirds of the world's cell statistics traffic could breathe video by means of 2015. cellular video traffic will more than double each year between 2010 and 2015.statistics

  • imaginative technologies announced as a fraction of the Cisco circulate framework encompass:
  • Cisco mobile Videoscape, which permits cell operators to convey an greater cellular video event to customers through modern technology on the Cisco ASR 5000 and Cisco Unified Computing system™ structures. These systems hyperlink the cell network to the greater video distribution community enabled through the Cisco content material delivery network capabilities of Cisco Videoscape. The solution additionally utilizes the capabilities of the brand modern Cisco Videoscape Media Suite to offer efficient and low-priced content administration throughout varied displays.
  • Cisco service provider Wi-Fi retort is an conclusion-to-conclusion, provider-grade retort that enables provider providers to successfully build the most of Wi-Fi for cell statistics offload. This ingenious retort with the Cisco next generation Hotspot technology offers a platform with standardized seamless extremely-comfortable authentication enabling roaming and delivering a host of recent features and modern cellular experiences. The retort likewise points the brand modern Cisco Aironet 1550 collection outdoor wireless access element with Cisco CleanAir expertise, and makes it practicable for carrier providers to supply low-budget capacity and enormously-at ease coverage in targeted areas reminiscent of out of doors carrying venues and transportation corridors whereas offloading weighty mobile traffic loads.
  • Cisco Adaptive ingenious Routing (AIR), which lowers the impregnate of cell records site visitors via offering carrier intelligence during the community. Extending throughout the Cisco ASR one thousand, Cisco ASR 5000 and Cisco ASR 9000 structures, Cisco AIR distributes and shares community and consumer intelligence largely to engage and talk on individual traffic forms, and to optimize traffic routing and dealing with for the most efficient provider journey on the lowest charge. Cisco AIR enables intellectual choices by the community of when and where to direct site visitors.
  • Key benefits

  • For carrier suppliers, Cisco circulation options:
  • permits cellular operators to optimize the stream of cell video traffic, decreasing the associated radio access network (RAN) charges through as much as 27 percent, based on a recently published white paper through ACG research titled, "Hyperconnectivity and the Video problem: Can Cisco's tide assist the cell Operator?"
  • gives self-healing and self-optimizing for top reliability and high performance.
  • Offloads cellular, video and facts site visitors onto a Wi-Fi network with the identical flat of provider, enabling modern capabilities and earnings alternatives.
  • gives optimum nice and greater personalization and customization of the cellular video journey.
  • enables modern commerce fashions through community intelligence whereas decreasing fees.
  • provides easy migration route to IPv6-in a position infrastructures.
  • For consumers, Cisco stream options:
  • convey a far better cell video adventure optimized for greater quality, more suitable reliability, and more advantageous personalization and customization.
  • present a more robust Wi-Fi journey with inordinate efficiency and high reliability, in addition to a personalized and personalised cell event.
  • convey modern capabilities obtainable with modern flat of great, efficiency and reliability.
  • supporting quotes

  • Prashant Gokarn, head-3G company, Reliance Communications, Ltd."because the leading option operator in India, Reliance Communications prides itself on its capacity to at complete times reply to the needs of complete its valued clientele by means of providing the newest multimedia and video features, on both its wireline and wireless networks, providing the selfsame inordinate great, reliability, and adventure. Cisco's tide solution is a key trade milestone for next-technology cellular networks to strengthen, installation and withhold advanced video services efficiently and value-readily."
  • Philippe Lucas, senior vice chairman, standardisation and ecosystems development, Orange"we are committed to improving their consumer's undergo on Wi-Fi. that's why Orange is concerned within the Cisco next generation Hotspot initiative with other trade avid gamers to strengthen seamless connectivity between 3G and Wi-Fi. They accept as factual with that a SIM-based authentication model will deliver simplicity and more advantageous security for valued clientele, primarily when roaming. They currently reckon on Cisco's network capabilities to give Orange Wi-Fi entry in public hotspots protecting more than 2,000 websites in France."
  • Ash Dahod, senior vice chairman and widely wide-spread manager, cellular internet know-how neighborhood, Cisco"move is the subsequent section of Cisco's service provider Mobility method, which become brought eventually 12 months's mobile World Congress after Cisco bought Starent Networks. As cellular operators drudgery to control and remove talents of the cellular video tidal wave, they're increasingly trying to find monetization and optimization ideas that will stream their basis line and enlarge their customer journey. we're addressing this with their cell Videoscape answer, Adaptive ingenious Routing and repair provider Wi-Fi solution. each and every of these options makes it practicable for the cellular operator to carry greater exceptional, lessen the cost and differentiate the video event."
  • Ray Smets, vice president and gauge manager, wireless Networking company unit, Cisco"Cisco is extending the vigour of Wi-Fi past the commercial enterprise with modern improvements that allow carrier suppliers to optimize and monetize their networks. Cisco's subsequent era Hotspot vision elevates the repute of Wi-Fi as a relied on radio network on a par with cellular radio access networks, with the aid of enabling service suppliers to optimize their networks via offloading records site visitors to Wi-Fi, guaranteeing a advanced user event with transparent authentication and roaming."
  • Embedded video clips

    helping materials

    Tags/key words: Cisco, wireless, mobility, provider suppliers, cell internet, cellular video, mobile Videoscape, Videoscape, Wi-Fi, Hotspot, Aironet, CleanAir, Adaptive ingenious Routing, AIR, ASR, UCS, Ash Dahod, Ray Smets, Reliance Communications, OrangeRSS Feed for Cisco: http://newsroom.cisco.com/dlls/rss.htmlCisco will expose its modern options at 2011 GSMA mobile World Congress in stand 8A70, Feb. 14-17. The Cisco solutions will breathe attainable over the arrival months and pricing might breathe introduced upon availability. For more counsel, gladden discuss with: www.cisco.com/go/mobile.About Cisco Cisco (NASDAQ:CSCO - information) is the worldwide leader in networking that transforms how people connect, communicate and collaborate. guidance about Cisco may likewise breathe create at http://www.cisco.com. For ongoing information, gladden proceed to http://newsroom.cisco.com.Cisco and the Cisco brand are logos or registered trademarks of Cisco and/or its associates in the U.S. and different international locations. a listing of Cisco's emblems may likewise breathe discovered at www.cisco.com/go/trademarks. Third-birthday celebration emblems mentioned are the property of their respective homeowners. the spend of the notice associate doesn't intimate a partnership relationship between Cisco and another company.Embedded Video AvailableEmbedded Video purchasable: http://www2.marketwire.com/mw/frame_mw?attachid=1509208Embedded Video attainable: http://www2.marketwire.com/mw/frame_mw?attachid=1509224Embedded Video attainable: http://www2.marketwire.com/mw/frame_mw?attachid=1509225Embedded Video available: http://www2.marketwire.com/mw/frame_mw?attachid=1509226Embedded Video obtainable: http://www2.marketwire.com/mw/frame_mw?attachid=1509222Embedded Video purchasable: http://www2.marketwire.com/mw/frame_mw?attachid=1509227Image purchasable: http://www2.marketwire.com/mw/frame_mw?attachid=1509142Image attainable: http://www2.marketwire.com/mw/frame_mw?attachid=1509144Image attainable: http://www2.marketwire.com/mw/frame_mw?attachid=1509148Image available: http://www2.marketwire.com/mw/frame_mw?attachid=1509151Image attainable: http://www2.marketwire.com/mw/frame_mw?attachid=1509154Image available: http://www2.marketwire.com/mw/frame_mw?attachid=1509133Image available: http://www2.marketwire.com/mw/frame_mw?attachid=1509155


    650-316 SP Video aspect II - Media Satellite and(R) Broadcast

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    Killexams.com 650-316 Dumps and true Questions

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    650-316 exam Dumps Source : SP Video aspect II - Media Satellite and(R) Broadcast

    Test Code : 650-316
    Test title : SP Video aspect II - Media Satellite and(R) Broadcast
    Vendor title : Cisco
    free pdf : 39 true Questions

    exactly selfsame questions in actual test, WTF!
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    Prepare these questions otherwise breathe prepared to fail 650-316 exam.
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    650-316 exam prep had been given to breathe this smooth.
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    i used to breathe so much disappointed in the ones days due to the fact I didnt any time to prepare for 650-316 exam prep due tomy some every day habitual paintings I must spend maximum time at the way, a protracted distance from my home to my paintings location. i used to breathe so much worried approximately 650-316 examination, due to the fact time is so close to, then in the future my pal told approximately killexams.com, that turned into the whirl to my lifestyles, the retort of my complete issues. I could accomplish my 650-316 exam prep on the artery without problems by the usage of my laptop and killexams.com is so dependable and outstanding.


    Updated and dependable brain dumps of 650-316 are available here.
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    SP Video aspect II - Media Satellite and(R) Broadcast

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    The Dawn of Digital TV | killexams.com true questions and Pass4sure dumps

    photo of PDF display Photo: Randi Silberman; Inset: Discovery Channel Playing Soon: The broadcast of video programs to PDAs and cellphones may breathe one modern service to spend the communications spectrum made available by the termination of analog TV broadcasting.

    The cease of analog television is at hand. Pundits endure predicted the death of analog before, but such forecasts were couched in caveats. Now governments are setting difficult dates and planning for life after analog, when vast amounts of bandwidth will become available for modern uses and the broadcast TV scene will change.

    Around the world, governments endure begun the analog shutdown, and it will accelerate rapidly during the next five years. In Germany, Berlin killed off analog in 2003, Munich did it this year [see photo, “Getting Ready”], and the repose of the nation is scheduled to ensue suit by 2010. In the United States, Congress likely will legislate January 2009 as the shutoff date. The end-of-analog date in France is 2010. In Japan, it’s 2011. The United Kingdom, which turned off analog broadcasts in one Welsh community this year as an experiment, is slated to aspect out analog completely by the cease of 2012.

    After analog television is phased out, digital over-the-air transmission will breathe the only game in town for those receiving free TV signals through antennas.

    If television comes to you by cable or satellite, you won’t notice a thing. Satellite television is already digital, and so is much of cable. But eventually you will reap diverse rewards that you might not even connect to changes in TV broadcasting: better cellphone reception, opportunities to download video to your cellphone [see illustration, “Playing Soon”], and mobile broadband Internet. And, in the United States, you might discern a modest submerge in the federal budget deficit when the government sells off 108 megahertz of the dilapidated analog broadcast spectrum for as much as US $50 billion, by some estimates.

    If you accomplish reckon on broadcast television, you’ll notice the changes even sooner. The first one might breathe a runt painful: you’ll necessity a modern TV set or, at minimum, a modern tuner costing at least $100 [see sidebar, “Countdown to the End”]. With a modern high-definition set, you’ll discern a remarkable improvement in the TV picture. Most digital programming is broadcast in HD, which brings the crisp, circumstantial images so prized by sports fans (who are determined never to lose sight of the ball or puck) and feared by news anchors (who know that viewers can discern every bit of makeup they plaster on). Along with those acute pictures comes digital environ sound—if you add the speakers.

    In some countries, mainly in Europe, broadcasters endure no plans for terrestrial broadcast of high-definition television. Nevertheless, digital broadcasting should bring other potential benefits. Some broadcasters may transmit out multiple standard-definition channels, perhaps “narrowcasting” shows to niche audiences or providing supplementary material, such as an interactive experience, with regular shows.

    In any massive technology change, particularly one with so much money at stake, there are winners and losers. I’ll derive to those. But first, to understand why this enormously valuable fraction of the spectrum will soon breathe up for grabs in an unprecedented high-tech rush, they endure to proceed back to the late 1990s.

    The United States was the first country to broadcast digital TV, in 1998, and its mechanism was basically followed by other countries in their own systems. So the U.S. undergo is illustrative.

    In the late 1990s, the Federal Communications Commission (FCC) loaned each TV broadcaster a second channel in the existing broadcast bands, 54 through 806 MHz. Interspersed among the broadcast channels are some spectrum gaps that minimize interference between them. To further minimize interference, the FCC skipped sure channels in a geographic region; for example, if channel 4 is assigned in one metropolitan area, the nearest channel 3 broadcaster is in a different metropolitan area. The skipped channels are known as taboo channels.

    Each channel occupies 6 MHz, and that hasn’t changed. Rather, because digital transmission is less interfering and likewise less topic to interference, and because digital channels operate at lower power levels than their analog counterparts, the FCC assigned second channels into analog taboo channels. The FCC deemed the modest enlarge in the overall flat of interference acceptable during the transition.

    At the time of the bandwidth loan, Congress set year-end 2006 as the date when analog service would officially cease and the extra channels would breathe “returned.” At that point, the digital channels, with their low interference characteristics, could breathe repacked into less bandwidth—a swath between 54 and 698 MHz. The toddle would free 108 MHz of spectrum—the upper cease of the UHF band, or TV channels 52 to 69—for other uses. To sequel the potential value of that 108 MHz in perspective, note that the entire AM radio spectrum is less than 1.2 MHz. complete local locality networks using IEEE 802.11b and 802.11g, the most common forms of Wi-Fi, occupy just 83.5 MHz. Congress looked forward to a lucrative spectrum auction to abet equipoise the federal budget.

    The 2006 date, however, came with a caveat: on a market-by-market basis, at least 85 percent of households would endure to own at least one television that could receive digital signals.

    It has been transparent for months that the 85 percent criterion will not breathe met next year, so the U.S. map will breathe delayed [see sidebar, “Countdown to the End”]. But for how long? Now, many of the affected players—consumer electronics and computer manufacturers, along with communications and other companies interested in using the recaptured spectrum—do not want a “soft date.” Instead, they endure been agitating for a difficult one, with no further desultory of delay.

    Although Congress has yet to pass legislation to set such a date, both the House of Representatives and the Senate seemed in late summer 2005 to breathe converging on 1 January 2009.

    Shortly before any difficult date, the party rush will begin. Congress, keen for the money, is pushing the FCC to start the auctions as soon as possible. The Congressional Budget Office is advising that the auctions breathe delayed until after other, unrelated spectrum auctions are completed. Spreading them out will forestall a sudden glut of bandwidth, thus optimizing returns. Auction winners would require a year or two to assemble the money they’d necessity to invest in developing their newly acquired spectrum segments. So for them, if bandwidth is to become available at the cease of 2008, auctions in late 2006 or early 2007 would breathe ideal.

    “Beachfront Spectrum” is what analysts are calling that soon-to-be-auctioned upper 108 MHz, because it is gauge for cellular services. Signals at those frequencies propagate farther and penetrate buildings better than signals in today’s cellular bands, which proceed up to 1.9 gigahertz. Best of all, cellphone system operators hope infrastructure costs to breathe reduced by 90 percent, because fewer cells will breathe required, given the longer distances signals will travel.

    Thanks to such advantages, the cellular phone companies are likely to compete difficult for this valuable bandwidth. Exactly what they would accomplish with it is a closely guarded secret, at least until winning bidders are selected. Nevertheless, it’s not difficult to imagine the winners launching third-generation services, including mobile video and wide-band Internet access, which would enable cellphone users to receive video programming and e-mail on the run.

    The FCC’s huge menu of allowable uses for the modern frequencies identifies “[f]lexible fixed, mobile, and broadcast uses, including mobile and other digital modern broadcast operations; fixed and mobile wireless commercial services, as well as fixed and mobile wireless uses for private, internal radio needs. Could likewise involve two-way interactive, cellular, and mobile television broadcasting services.”

    Perhaps the best early indicators of what will chance with the freed-up bandwidth are recent events in Berlin—the first city to whirl off analog television—and in the United States, where a pair of preemptive auctions gave developers access to segments of spectrum on the condition that they not interfere with broadcasters noiseless using them.

    The “Berlin Switch” is an intriguing novelty. It was practicable because the region affected is relatively small, with 1.8 million households in the TV market, and because an overwhelming number of those households—all but 160 000—subscribe to cable or satellite television. Nonsubscribers each coughed up at least $200 to buy a set-top converter, and for less than $1 million, the government subsidized the purchase for families on welfare.

    What the switch gave Berliners, mainly, was an enlarge in the number of broadcast stations—from 12 to 27. Multiplexing allows four digital channels to proper in the space previously allotted to a separate analog channel. (This excludes HD broadcasts, because they require more bandwidth.) The switch likewise gave the government 35 MHz to use—or sell—for modern services.

    With more channels, viewers of broadcast television in Berlin endure access to niche programming and channels previously available only to cable or satellite subscribers. Programming now includes Eurosport; Arte, with art movies, documentaries, poetry, and theater; Phoenix, with political news; Viva II, with pop culture for people in their 20s; and several modern local channels.

    In the United States, in 2001 and 2002, the FCC auctioned off four petite slices of spectrum totaling 6 MHz in the 746- to 806-MHz range, the upper 700-MHz band, that had been allocated as “guard bands.” Along with the right to spend the spectrum came tense rules to minimize interference with public-safety services. This RF true estate is intended for the rental market: the buyers will act as landlords, leasing the spectrum to third parties. The FCC packaged the spectrum in two pieces for 52 market areas, creating 104 licenses, which were auctioned for $540 million. The top three winners were Access Spectrum, Nextel, and Pegasus Communications.

    Access Spectrum LLC, in Bethesda, Md., winner of 21 licenses, announced at the time that it had begun negotiating rental agreements. In addition, Access, formed in 2000, is likely to build private wireless networks for businesses in some of its bands.

    Plans of the other winners are murkier. Nextel is using its 40 licenses as bargaining chips and recently agreed to revert them to the FCC as fraction of a deal involving interference reduction in the 800-MHz band. Pegasus won 34 of the 104 licenses but has been noiseless about its plans. The largest independent provider of the DirecTV satellite service, Pegasus is having pecuniary problems, and some of its subsidiaries filed Chapter 11 bankruptcies in 2004.

    Then, in 2002 and 2003, the FCC auctioned off 18 MHz between 698 and 746 MHz, which covers three UHF channels, 54, 55, and 59. Again the spectrum was packaged into geographical pieces, both to breathe attractive to buyers and to maximize returns. Channel 55 was sold in six regional chunks, while 54 and 59 were sold as a pair in 734 markets. Altogether the sales brought the U.S. government $145 million.

    Qualcomm Inc., of San Diego, won the auction for the spectrum previously occupied by channel 55 in five of the six auctions. It then bought the rights for the sixth region from Aloha Partners LP, of Providence, R.I. Aloha was formed to provide wireless broadband service and has been a remarkable player in the auctions so far.

    Qualcomm intends to spend its spectrum to transmit video and audio programming to cellphones, PDAs, and other portable devices nationwide. It hasn’t announced what it intends to broadcast, but the content could involve hit TV shows, clips of sporting events, and movie trailers. The company calls its service MediaFLO (“Media” plus “Forward Link Only”). Qualcomm plans to store video in the handsets to supplement video streamed live; that way, it hopes to eliminate the dropouts endemic to cellphone reception. If a voice signal drops out temporarily, you can just say, “What?” Video signal dropouts, however, occasions annoying freezes, jerks, or blanks in the picture, and would dishearten users.

    Qualcomm is developing MediaFLO as a artery to promote CDMA cellphone technology, which it pioneered. CDMA is winning out over the TDMA gauge (popular in the United States) and is emerging as a tough competitor to GSM (popular in Europe). Today, CDMA is used in 35 countries, including the United States and South Korea. Qualcomm plans to integrate MediaFLO into its chip sets and to offer the service through partnerships with cellphone operators. It may eventually spin it off as a sunder company.

    Technology alternatives to MediaFLO are available and could breathe used for competing services in spectrum bands yet to breathe auctioned. One example is a variant of the Digital Video Broadcasting gauge widely adopted in Australia, Europe, India, and elsewhere. The variant, called DVB-H, provides TV broadcasts to handheld devices and, fondness MediaFLO, is being used in the 700-MHz band. In South Korea, yet another gauge for TV broadcasting to handhelds is being deployed—Terrestrial Digital Multimedia Broadcasting, or T-DMB—and it may emerge as a competitor in the United States.

    Have you ever create yourself on a train, in a park, or at a ball game wishing you could pay a bill you’d forgotten about, or transmit a quick message, or download a tune stuck in your mind? According to Aloha, there are enough people who want to breathe “always on” to back a nationwide mobile broadband Internet service. The company, which resold its channel 55 spectrum to Qualcomm, was the remarkable victor in the 54/59 channel-pair auctions. Aloha won 125 out of the 734 regional auctions and increased its holdings by buying the other two remarkable winners. Aloha claims it now has spectrum in 244 of the 734 licensed markets, covering 175 million potential customers, including 100 percent coverage in the nation’s 10 largest markets and 84 percent coverage in the top 40 markets.

    Though not revealing which technologies it will deploy, Aloha did advertise ultimate year that it would launch a 2005 market trial of mobile broadband Internet access using Flash-OFDM (orthogonal frequency-division multiplexing). Developed by Flarion Technologies Inc., in Bedminster, N.J., Flash-OFDM is a spread-spectrum technology that uses the Internet Protocol. Signals jump quickly from frequency to frequency within a given channel in a seemingly random pattern generated by an algorithm. The resulting signal causes minimal interference with those in the selfsame and neighboring channels and is itself not easily interfered with. Different basis stations spend different hopping patterns, further reducing interference and allowing the bandwidth to breathe used efficiently. The FCC recently granted Aloha consent to Run a market test in Tucson, Ariz., presumably of Flash-OFDM.

    Two auctions held so far accounted for just 24 MHz of the 108 MHz that will eventually breathe sold. Of the 84 MHz remaining, in 1997 the FCC reserved 24 MHz for public-safety communications, such as police and fire services—those located at four of today’s UHF TV channels, 63, 64, 68, and 69. Since the 9/11 attacks on the United States, Congress has been paying a lot of attention to the public-safety communications plan, originally with runt fanfare. In fact, congressional eagerness to reallocate the swath of spectrum is the main impetus behind a drive to set a difficult date for the transition to digital television. The rescue Lives Act of 2005, introduced in the Senate in June, calls for expediting the reassignment of the spectrum for public-safety purposes and requires spectrum to breathe taken back from broadcasters by 1 January 2009.

    Although Congress is driving the agenda to free portions of spectrum for public-safety use, local governments will settle how they will breathe used. Metropolitan-area governments, for example, would fondness to alleviate the congestion that plagues existing emergency services. They are concerned with voice and text transmission, already in use, and are looking to add wideband transmission of images. On-the-scene images can abet emergency responders and their dispatchers. With broadband access to stored records, fire or police teams could review pile plans and blueprints.

    After the auctions held so far and the allocation for emergency services, 60 MHz of the bandwidth to breathe vacated by analog television remains to breathe sold [see illustration, “The FCC Auction Plan”]. This section, consisting of channels 52, 53, 56 to 58, 60 to 62, and 65 to 67, is slated to breathe divided into five blocks. Four of the five will breathe channel pairs: 52 and 57, 53 and 58, a pair of 5-MHz channels in 60 and 65, and a pair of 10-MHz channels in 61 to 62 and 66 to 67. Channel pairs can best breathe used for services that require the selfsame capacity in each direction, fondness today’s cellphone services.

    The fifth shroud will consist of today’s channel 56, which is better suited for one-way transmission, such as broadcasting to cellphones. It could likewise breathe used for services that can utilize an existing cellphone channel as the revert path—for example, video on demand, in which your request is phoned in and then the material is sent to your cellphone over the broadband channel. The FCC plans to offer the blocks in six regional areas, making it simpler for well-funded companies planning to roll out national services to assemble bandwidth.

    img 

    Illustration: Bryan Christie

    The sale of the five blocks will complete the reallocation. The oft-quoted $50 billion valuation for the 108 MHz may breathe too high, given that the first 24 MHz sold netted $685 million and that the 24-MHz public-safety spectrum won’t breathe sold at all. The $50 billion number comes from a May 2004 appraise by the modern America Foundation, a Washington, D.C.­based public policy institute, citing FCC and other data. On the other hand, it is practicable that the chunks of spectrum auctioned in the first two rounds went cheap because buyers didn’t know when they would actually derive them.

    If a difficult date is set and the auctions for the remaining spectrum sections are held not too far ahead of that date, the auctions of the remaining 60 MHz could bring the total raised up to $30 billion. Congress is expected to require that a portion of those proceeds, probably less than $5 billion, breathe used to fund subsidies to abet low-income families transform their analog TV sets to digital.

    Whenever so much money and infrastructure are at stake, there are inevitably winners and losers. The companies bringing in the bids at the auctions exhibit initially to breathe winners, but some of their ventures are bound to fail.

    Manufacturers will breathe huge winners. modern services and technologies necessitate modern equipment. Sales of televisions, studio gear, and other consumer and professional rig are already growing. noiseless to Come are commerce opportunities opened by modern mobile services.

    Broadcasters should breathe winners. By upgrading their technological backbones, they endure improved their attribute of service and now endure the flexibility to pursue modern opportunities such as narrowcasting to niche markets. However, while broadcasters endure invested heavily in the digital transition, they endure not yet fully exploited digital’s advantages of higher-definition pictures and modern services.

    Broadcasters endure two strategic advantages over cable and satellite providers. For one, local broadcast stations know their markets in a artery no national programmer can. For another, broadcast television is wireless and eminently portable; viewers don’t endure to plug into the cable network or to a carefully aligned satellite dish. They don’t even endure to find petite passionate spots, since receivers pick up broadcast signals almost anywhere. But broadcasters are only now starting to spend HDTV in their local programming, primarily for news. And U.S. digital service does not back mobile service to vehicles and pedestrians with handheld devices. It is telling that reassigned broadcast spectrum is being used to offer mobile video services that broadcasters themselves are unable to support. Nor is this now a priority for them.

    Political leaders might breathe losers, if they are perceived as forcing unwanted change and expense on the public. And if the transition is disruptive, they will breathe blamed. But overall, governments should breathe remarkable winners. When the transition is completed, governments will endure served their constituencies well by shifting broadcast television to a superior, more elastic service and by reallocating vacated broadcast spectrum to other useful services.

    In the short term, some consumers, particularly the least well-off, will breathe losers. They will discern blank, snowy screens on their antenna-fed analog TVs when analog service is terminated. To continue receiving programming, they will necessity to buy and install digital conversion set-top boxes or switch to cable or satellite service. Either way, it’s going to cost them.

    In the end, though, consumers will breathe winners, with modern and improved services available. They will endure access to HDTV’s remarkable pictures, accompanied by surround-sound audio. They will endure uniformly high-quality reception anywhere in a broadcast area, and additional services will involve some within traditional broadcast channels but even more coming in the auctioned broadcast spectrum.

    Robert M. Rast (IEEE Senior Member) is industry liaison for Micronas Semiconductors Holding AG and chairman of the board of the Advanced Television Systems Committee, an international standards-setting body. In the 1990s, he was general Instrument Corp.’s digital HDTV advocate, and in 1993 he became one of the leaders of the newly formed Digital HDTV august Alliance.


    Intelsat's (I) CEO Steve Spengler on Q4 2017 Results - Earnings summon Transcript | killexams.com true questions and Pass4sure dumps

    No result found, try modern keyword!Finally, gladden breathe sensible that their conference summon today is open to the investment community and media, with the media invited to ... because they are seeing some satisfactory success early in prelaunch aspect of ...

    Transcript: "Rebels" | killexams.com true questions and Pass4sure dumps

    Transcript: "Rebels"

    Narrator: Baghdad... January 16th, 1991.

    Reporter: .... fire coming up there in the air, flashes going off.

    CNN Headquarters Manager: Don't you hear air down there? Don't you hear what's on the air, folks?

    Narrator: This was the minute that CNN founder Ted Turner had been waiting for.

    Ted Turner: I've been an innovative thinker, okay, I mean, I thought of CNN.

    Bernard Shaw, CNN Anchor: The skies over Baghdad endure been illuminated.

    Narrator: His rivals had once called his brainchild "Chicken Noodle News"; but at the start of the Gulf War, the whole world was watching CNN, the first 24-hour TV news network.

    CNN Headquarters Manager: I know, but this is where it's happening!

    Porter Bibb, Biographer: Ted Turner and CNN sequel the viewer in the middle of history, as it was unfolding, and that was revolutionary.

    Ken Auletta, Turner Biographer: You cogitate the CIA had more information than CNN did? Of course not.

    Reporter in Baghdad: That came down fairly near their hotel...

    Robert Goldberg, Turner Biographer: [When] Ted Turner [started] CNN ... it timid the crap out of the people who were working with him.

    CNN Headquarters Manager: derive the French on the air!

    Ted Turner: If you've got an innovative idea, and the majority does not pooh-pooh your idea, then you must not endure a very satisfactory idea.

    Russell Simmons: Now to the press conference.

    Narrator: No one had believed in Russell Simmons's concept either. But he ended up with a multi-million empire in hip hop fashion, comedy and poetry...He even produced an acclaimed elaborate on Broadway....

    Def Poetry Jam, Opening Night on Broadway, November 2002

    Def Poetry Jam Poet: ...it was poetry, but now they summon it rap.

    Narrator: And it complete started when he unleashed a controversial modern benign of music in America, rap.

    DMX: Bring it. What? They right here...

    Russell Simmons: Sometimes they talk about rap and how people don't fondness to hear what the rappers are saying. That's God's soundtrack.

    Alex Ogg: If you're wondering why so many white kids are impersonating black culture ... it's complete to accomplish with the artery that Russell Simmons has marketed the phenomenon which is hip hop.

    DMX: Here they proceed again...

    Sir Harold Evans, Author, "They Made America": Russell Simmons produced the browning of America, in the sense that a culture which was born in the ghetto became universal.

    Narrator: Russell Simmons and Ted Turner brought the world closer together.

    Russell Simmons: Give me a minute, alright?

    Narrator: You may not know their stories, but they made America.

    Ted Turner: For awhile, it's gonna breathe out of control.

    Russell Simmons: Thank you, uh, thank you complete for being here.

    Control margin Director: complete right, stand by twenty-three, xxx on three...Ted Turner (arriving at Atlanta Press Club): satisfactory evening.Control Room: Dissolve, complete right...

    CNN Announcer: CNN's complete coverage of today's...

    Control margin Director: 40 seconds...Houston, you're clear.

    Ted Turner (Atlanta Press Club speech): I couldn't endure done any of this without a lot of help....

    Control Room: Roll C...

    Ted Turner: They complete did it together.

    Audience: Applause.

    Control Room: 30 seconds...

    Robert Goldberg: Ted Turner's innovation was 24-hour news...(and) what that means is that...you can watch history live.

    Control margin Director: We're coming back.

    CNN Announcer: We're live in Baghdad...

    Robert Goldberg: You can watch history as it's happening. ... So they mind to ogle back, and they say, 'Well, obviously, CNN was going to breathe a remarkable success.' But in fact, when it was started, there was no indication at complete that it was going to breathe a success, and in fact, they were teetering on the edge.

    Ted Turner: I lived for ten years, during that time, I lived in my office on a foldout bed.

    Harold Evans: One of Ted Turner's remarkable qualities: He makes us excited about everything he does. He's not a man in a grey flannel suit.

    Ken Auletta, Turner Biographer: When he was working his 24-hour days, I mean, he was driven by a covet to derive it right. And fraction of his drive in life is to prove to his father that he's worthy.

    Robert Goldberg: Ted's father was a billboard magnate. He had a billboard company...He was expanding and doing better and better and he did this one remarkable deal where he bought out general Outdoor Advertising. And this was his remarkable break. Ted was incredibly excited. His father originally was very excited but soon started to derive scared. He was worried that he was overextended. He was worried that this whole empire would Come crashing down. [So]...It was the morning of March 5, 1963, and Ted Turner's father went downstairs, and he had a remarkable complete breakfast. Then he went upstairs, took out his revolver, the selfsame revolver he had taught Ted to shoot with, and he killed himself.

    Porter Bibb: When Ted's father killed himself that was the ultimate blow to Ted Turner who could never, ever derive his father's approval that he had spent his life, up to that point, seeking.

    Robert Goldberg: Ted's father did it in a artery to leave his family -- each of them as millionaires. Ted wasn't interested in being a millionaire. He could endure taken the money, he could endure gone off to breathe a millionaire on the Riviera, but instead he says, 'No, I want to remove this company. I want to elaborate my father, I want to elaborate everybody I can accomplish this.'

    Ken Auletta: fraction of his mission in his life is to prove to his father that his father was wrong. And in fact, once he looked up at the heavens, and said, 'Dad, are you satisfied now?'

    Ted Turner: I used to divulge people, when I was in my 20s, that I wanted to derive to the top, and I wanted to derive there in a hurry, not even knowing where the top was.

    Go ahead and ingest your cereal.

    Narrator: Everyone thought Ted Turner was too inexperienced to remove over his dad's billboard company.

    Ted Turner: Well, hustle it up, Chago.

    Narrator: But he made money. And in 1970, he splurged on a rundown, money-losing UHF station in Atlanta.

    Ted Turner: They changed the summon letters to WTCG, and then later to WTBS, for Turner Broadcasting System. But WTCG was 'Watch This Channel Grow."

    Robert Goldberg: When Ted buys WTCG, it's a TV station that's....hemorrhaging hundreds of thousands of dollars a month.

    Bill Tush: satisfactory morning. Hope you're doing OK this morning. Morning, Tina.

    Robert Goldberg: There was a FCC requirement to sequel news on. Instead of putting true news on [Turner] had sequel on crack news.

    Bill Tush: Ronald Reagan hopes to beat... [laughs]

    Narrator: To abet fill his programming schedule, Turner bought his hometown losing baseball team -- the Atlanta Braves -- and broadcast their "away" games. Many saw the toddle as a foolhardy gamble, but Turner loved cheering the underdog players.

    Ted Turner: Wayne. what accomplish you cogitate of this team.

    Wayne: I fondness every one of them.

    Ted Turner: Come discern the big-league team with little-league spirit. And hey, we're in Atlanta.

    Barney: sure hope the bug don't derive down in my larynx.

    Robert Goldberg: While everybody else might endure been doing serious shows or news shows, Ted Turner was rerunning, because it was cheap, 'Gilligan's Island' and 'Leave it to Beaver'

    Skipper: Gilligan!

    Gilligan: Oh, I gotta go.

    Porter Bibb: Ted sold advertisers on the concept that your commercials in color will stand out on their station because everybody else is running color programs and color commercials. But we're running black and white programs. [laughs] And your color commercials will jump out of the set.

    Ted Turner: Well, when are they ready?

    Narrator: Turner's strategies worked. But soon after his station was in the black, he went into debt again, in a bet-the-company move: Before it was a sure thing, Turner stake on cable.

    Music video singer: He was cable, when cable wasn't cool.

    Narrator: Turner wanted his local UHF station to breathe one of the first national stations offered by the fledging cable industry, which was wiring the country to provide better reception than shows broadcast through the air.

    Ted Turner: Heck, complete I did was jump the gun.

    Music video singer: Cable wasn't cool.

    Narrator: But Turner needed an efficient artery to transmit his signal to cable companies sprinkled throughout the United States.

    Ken Auletta: And he said...you know, this bird just went up in 1976, and that's a satellite. And that satellite, what if they hooked up to that satellite?...Bingo -- innovation.

    Music video singer: How can anybody start a network, down were the cotton grows?

    Narrator: Turner borrowed money to buy a dish that would beam his Atlanta TV signal 22,000 miles above the earth, bounce it off a rented transponder on a satellite over North America, and beam the signal back down to receiving dishes owned by the country's cable operators.

    Ted Turner: By being a Superstation, I can breathe super.

    Narrator: The networks tried to derive Congress to stop him. But Turner went on a rampage about the network monopoly and beat them.

    Music video singer: It really is fanciful how he second-guessed those jerks.

    Ted Turner: The only dissimilarity between us and WCBS is that their antenna is 22,000 miles up in the sky instead of 2,000 feet.

    Music video singer: He sends out programs day and night, bouncing off his satellite.

    Ted Turner: I must breathe doing something right.

    Music video singer: Cable now is cool.

    Narrator: In the summer of 1977, Turner was taking on the established networks. And with a second-hand boat and a youthful crew, he was taking on the refined yachting establishment in the prestigious America's Cup race.

    Porter Bibb: [Ted Turner] was definitely not lop of the selfsame cloth of the other members of the modern York Yacht Club. He was a loud, obnoxious... and profane in his language.

    Narrator: Turner cherished the role of outsider; he thrived on being the underdog.

    Ted Turner: Don't over trim it fondness that. You gotta ease out.

    Narrator: By now, it was a confidential role to him.

    Harold Evans: When he first began to pick up his father's billboard business, the recommendation was, 'Don't accomplish it, you'll proceed broke. You can't accomplish it, you don't endure enough experience.' When he buys UHF, they said, 'Don't go, it will cost you complete this money.'...'Don't accomplish the Superstation, they can't afford a -- '

    Ted Turner: It's complete over, baby. They won!

    Harold Evans: Every separate time he went out on a limb....it was actually fondness a springboard and diving for Ted Turner, and he came down and made a impeccable dive.

    Narrator: Turner was on a winning strain -- nasty news for his employees. It usually was a sign that he was growing antsy and about to stake the company on a modern venture.

    Robert Goldberg: Ted Turner loves to endure his back against the wall. ...And if his back isn't against the wall, he'll proceed out of his artery to find a wall to sequel his back up against.

    Narrator: In 1979, Turner backed himself against a wall that would build or fracture him.

    Ted Turner: This industry is out of control. It's fondness a train...

    Narrator: At an annual cable meeting, he announced that he would derive an entirely modern satellite channel up and running in just one year. It would Run only news, 24 hours a day, and it would breathe called Cable news Network, or CNN.

    Reese Schonfeld, Founding President, CNN: He said, 'There are only four things that television can do. They can accomplish this regular entertainment programming, and the networks endure got that. They can accomplish sports, and ESPN's got that. They can accomplish movies, HBO has that. complete we've got left is news, so what the hell, I'll accomplish news.'

    Ted Turner: The industry ought to say, "Stop."

    NARRATOR: Twenty-four-hour news was Turner's craziest concept yet. The established networks lost money producing just one news elaborate a day.

    Reese Schonfeld: In the days when the networks were everything, you had to watch your news between 7 and 7:30...22 minutes of news...a whole network psychology, philosophy, which said, 'Look, news is a public service. They don't accomplish this to build money. ...'

    Ted Turner: I endure the advertising companies coming to me and asking me, "Whose gonna build it?'

    Ken Auletta: So what does Ted Turner do... 'wait a second, he decides, these networks, they endure a half-hour, an appointment at night for a newscast. What if I had 24 hours of news?' Bingo. CNN. Innovation.

    Narrator: Turner went to the modern York Times to pitch his modern idea.

    Robert Goldberg: They were asking them, 'So what's going to breathe so remarkable about this CNN?' And Ted said, 'Look, it's going to breathe live. It's going to breathe live complete the time.

    Reese Schonfeld: One of the deputy editors turned to me...and said, 'Aren't you with live complete the time...gonna wind up covering a lot of one-alarm fires?' And I said, 'Until it's over, you never know whether it was a one-alarm fire or the fire that burned down Chicago.

    Narrator: Turner needed $30 million dollars for start-up costs, and another 2 million per month in operating expenses. He started selling assets -- and he was counting on cable fees and advertising to generate income for CNN...that is, if the industry ever shared his faith in the zany idea.

    Harold Evans: It was a universal reaction that Ted Turner would proceed bust, he was wasting his time, people didn't want 24-hour news, what were they playing at.

    Robert Goldberg: Ted Turner starts CNN without -- with very few commitments from the cable industry and really not much in the artery of financing. He doesn't really endure banks behind him, he doesn't endure money behind him. So it's complete benign of a wing and a prayer, and frankly, it timid the crap out of the people who were working with him.

    Ted Turner: If you've got an innovative idea, and the majority does not pooh-pooh your idea, then you must not endure a very satisfactory idea. It's not enough of a breakthrough to build that benign of a difference. It didn't bother me at all. It did not bother me at all. In fact, I considered it -- I said, I must really breathe on to something.

    Narrator: Now, with weeks to proceed before launch, the staff was assembling for rehearsals. There were keen newcomers -- and TV veterans looking for one ultimate romance, one ultimate proceed around in difficult news.

    Bernard Shaw: Roone Arledge and I had negotiated a modern constrict at ABC News, the country was in double-digit inflation, their children were about this high, and here I was thinking about going to drudgery for a network that didn't exist.

    Narrator: In the dry runs, just days before the launch date, the CNN staff noiseless couldn't bear news for two hours in a row, much less 24.

    Ted Kavanau, CNN: The rehearsals were a nightmare...people would summon for things that weren't ready, the tapes weren't there, the scripts were not completed.

    Reese Schonfeld: They started giving me a valium in my orange juice in the morning. But I didn't know anything about it. After a week she stopped, because it wasn't making any difference.

    Bernard Shaw: Those demands, says Reagan, are rejected are totally unacceptable.

    Bernard Shaw: I wanted to twit the traditional networks. Those people at ABC, CBS, and NBC who said, this will not work, they are inept.... I wanted to associate Ted, along with the other men and women at CNN, to prove those bastards wrong.

    Narrator: On June 1, 1980, ready or not, CNN was scheduled to initiate broadcast. Turner threw an opening day party.

    Robert Goldberg: I cogitate what I loved about that opening day is that it was so august and so rinky dink at the selfsame time.

    Speaker: ...and only cable television could give the consumer the choice.

    Robert Goldberg: It was a network that was benign of fondness its owner, Ted Turner. It was a runt ragged around the edges, but with grand, global ambition.

    Ted Turner: You'll notice out in front of me that we've raised three flags -- one, the flag of the United Nations -- because they hope that the Cable news Network will bring a better understanding of how people from different nations live and drudgery together.

    Ken Auletta: Turner wanted to shrink the world. He wanted Americans to understand the world, and not breathe isolationist, not breathe restful in their runt cocoons.

    Ted Turner [opening day speech continues...]: I dedicate the news channel for America: The Cable news Network.

    Ted Turner: You know, it was a true satisfactory plan. It was map to conquer the world, but with ideas, not with weapons.

    David Walker: satisfactory evening, I'm David Walker.

    Lois Hart: And I'm Lois Hart. Now here's the news. President Carter has arrived...

    Narrator: Inside, CNN started its very first broadcast with runt fanfare. If Turner had it his way, it would continue from this minute until the cease of time -- that is, if his staff could survive the first few months.

    Narrator: Turner had launched CNN during a presidential election year, just six weeks before the Republican Convention. The major networks, which would try to bar CNN from the White House press pool, complete laughed at Turner's unprepared reporters.

    Bernard Shaw: Can you button your jacket? There's a lot of white there.

    Sandy Kenyon: I'm Sandy Kenyon and I'm the writer-producer here in the booth with Bernie Shaw. These are their convention facilities. Over here...

    Sandy Kenyon: The booth that CNN had rented for this convention was about the size of a large bathroom. And it was totally open, and it was above the band. So that when the party played, they had to lop to a commercial.

    Reese Schonfeld At the time their greatest critic was Roone Arledge, who ran ABC News. ABC called us "chicken noodle news," and they used to say, 'Cockle doodle do," when the crew would appear.

    Narrator: For his part, Turner was doing everything he could financially to withhold his modern network afloat.

    Reese Schonfeld: They accomplish every stunt they can. The cable systems that carry us, they give them a discount, a large discount if they'll pay in advance. Ted's got passionate dog money coming in from the concessions at the Braves stadium. He makes the selfsame deal with the concessionaire.

    Daniel Schorr: Can you just draw back a second.

    Elizabeth Dole: Okay, sure.

    Bernard Shaw: [Ted Turner] knew they were working slavish hours. He knew they were underpaid.

    Daniel Schorr: Okay, draw the plug out there.

    Bernard Shaw: And it was his trying to maintain the team spirit and say, 'Hang in there. I'm losing millions of dollars. I'm depending on you,' and that was one of the attractions.

    Cameraperson: Are they gonna accomplish an interview?

    Jim Miklaszewski: Yeah, we're gonna accomplish an interview?

    Narrator: With its on-air glitches, it was easy for the experts to bounce the all-news network. But CNN was just getting started.

    Jim Miklaszewski: accomplish you want me to toddle anywhere?

    Narrator: And only three months after launch, Ted's Chicken Noodle Network had something to crow about -- when Turner's gamble to cover live stories paid off in a petite town in Arkansas.

    Jim Miklaszewski: This is as close as the military will allow us to derive to this Titan II missile silo sight installation just outside of Damascus, Arkansas. A Titan II missile had exploded in its silo and spit its warhead several hundred yards out onto the ground. And the Air force officials had told the mayor of Damascus there was no warhead on the premises. Is there a warhead on the sight?

    Air force official: I cannot confirm or traverse it.

    Jim Miklaszewski: They sequel the camera in the cherry picker bucket. And as the cherry picker rose up, you could discern now over the trucks. And you could discern this focus of activity around what they later create out was the actual warhead. ogle at that, ogle at that tank...that's what I asked you...in the crane. Can you discern that picture? They gotta proceed live, NOW. This is it, baby.

    Robert Goldberg: That's a minute where complete of a sudden news is no longer something that's reported at the cease of the day. news is something that's happening right now.

    Jim Miklaszewski: They're going to cloak it. They are going to cloak it in just a second.

    SOT: They gotta proceed now.

    Reese Schonfeld : By the end, the L.A. Times correspondent said he learned more about the narrative sitting in his hotel margin and watching CNN, then he learned from being on the scene.

    Ted Turner: derive a picture with him -- that would be...

    Narrator: CNN's exploits with the Titan II missile had another keen observer -- Cuba's Communist leader Fidel Castro, who was reviled by the U.S. government. In a toddle that drew criticism, Turner accepted an invitation to proceed to Cuba.

    Ted Turner: So he was watching CNN. He had heard about it, and somehow or other obtained a satellite dish, and the signal, the United States signal spilled into Cuba, so he was able to pick it up. And he thought it was just terrific, well, for the tremendous hospitality you endure shown us and the wonderful time.

    Ken Auletta: Ted Turner was a very conservative guy. So, the thought that he would one day consort with Fidel was just totally alien.

    Fidel Castro (through interpreter): Though they receive the news, they don't pay for it. I myself don't know how much money they owe the CNN.

    Ted Turner: I cogitate he was the first Communist I ever met, and, but serious one, anyway. And he certainly was the first dictator I ever met. I didn't know any dictators.

    Narrator: Turner's trip was a revelation to him. When he saw the impact that CNN had on Castro, Turner was keen to expand more quickly the coverage and availability of CNN complete around the globe. But he'd necessity the cooperation of alien governments suspicious of the American press.

    Ted Turner: When I came up with the concept of going international, there was tremendous resistance complete over the world by broadcasters and governments to having an American news organization just Come into their country, that they had no control over, and they were really concerned that we'd somehow or other Come up with a pro-American agenda, anti-whatever...

    Correspondent 1: ...being abducted and sequel on that aircraft. But he said, 'At the cease of the day, Haiti is the first ever black independent state'...

    Ted Turner : So I said, "I'm going to create a two-hour program every Sunday afternoon that will remove news stories unedited from any broadcaster in the world that wants to transmit them in, I will Run them unedited."

    Correspondent 1: Around 500 demonstrators marched towards the gates of....

    Correspondent 3: ... the most tense situation in Columbia for the ultimate 10 years...

    Ted Turner: I had a meeting of my top executives. ...And they said, "Oh, there's no artery you can accomplish that." I said, "Why not?" They said, "We'll derive -- Khadafi will transmit in a narrative about Libya's right and we're wrong. And Castro will breathe sending in stories from Cuba that say, "Down with the United States."

    Correspondent 1: ...Geneva has lost one hundred and fifty-five men with six hundred...

    Ken Auletta: It was controversial because you are not reputed to whirl 'space' over to the people you're reporting on. Turner basically is turning over a half hour of a time to a government.

    Ted Turner: Every year they had a World Report conference where they brought them complete into Atlanta, sequel them up in the hotel for a week. And they had Russians, they had -- that's how they met the Iraqis. The Iraqis came to the World Report Conference. And when, later they let us linger in Baghdad when everybody else had to leave, because they knew us, they were friends. They were friends with everybody.

    Correspondent: OK, now they are seeing more anti-aircraft fire ...

    Robert Goldberg: There's this minute when CNN comes of age, and, and it's actually a very precise moment. It's on January 16, 1991, at about 6:35. It's the beginning of the Gulf War, the first Gulf War.

    Bernard Shaw: complete hell broke loose. Sirens started wailing, search lights searching the dim sky....

    Atlanta Headquarters: John Holliman, Bernard; John Holliman, Bernard.

    Narrator: Back at Atlanta Headquarters, CNN producers turned the cameras on themselves to document their news gathering of the first war covered live on TV.

    Bernard Shaw: ...and that's when I yelled through the four-wire, 'Atlanta, Come to us, Come to us.' The skies over Baghdad endure been illuminated. We're seeing intellectual flashes...

    Narrator: The CNN crew, holed up in a hotel in Baghdad, had direct communication with Atlanta, using a special phone line called a four-wire.

    Atlanta Headquarters: Yes they can, they can hear you.

    Narrator: When the bombs started dropping, and Baghdad's electricity and phones went out, only CNN was reporting live.

    Atlanta Headquarters: Baghdad. Baghdad is back. remove Baghdad right now, Dave.

    Peter Arnett: Now the sirens are sounding for the first time. The Iraqis endure informed us.

    Atlanta Headquarters: They just lop the line. derive the French on the air! We're coming back to French. withhold it prefaded.

    Anchor, French: Well, they heard Peter Arnett saw the Iraqis endure informed us, and then they didn't hear anymore. This is probably just a technical glitch.

    Ken Auletta Tom Johnson, who is chairman of CNN, wanted to draw Bernard Shaw and Peter Arnett and the team out of Baghdad...

    Atlanta Headquarters: elaborate me 17! sequel 17 on the air!

    Ken Auletta: ...and Ted Turner interrupted and said, "Tom, sequel it on my back...they're grownups....if they want to breathe there as journalists and cover this war for the American people, by God, I want them to.

    Anchor, French: Wolf. Let me interrupt. I'm sorry to interrupt, but we're going back to Baghdad, because they can, and they endure Peter Arnett.

    Atlanta Headquarters: Shut up, Blitzer. Let me see, let me discern French. Don't you hear air down there? Don't you hear what's on the air, folks?

    Narrator: Turner's gamble to create a network for live news had paid off. The networks that had laughed at him now had to reckon on his reports at the start of the Gulf War.

    Atlanta Headquarters: I know, but this is where it's happening. complete right?

    Robert Goldberg: And the world tunes in to CNN. There are people in the White House watching CNN, there are people in the bunkers of Iraq watching CNN, at the Vatican..

    Ken Auletta: Everyone was watching CNN. It was, you know, you cogitate the CIA had more information than CNN did? Of course not.

    Bernard Shaw: We're going back over the window now...

    Ted Turner: [CNN] was a democratization of information. For the first time in the history of the world, every world leader, and everybody in the world, had access to the selfsame information at the selfsame time.

    Narrator: The selfsame year that Ted Turner scored his greatest journalistic coup at the start of the Gulf War, he married actress Jane Fonda.

    Minister: Will you endure this woman...

    Harold Evans: [Ted Turner] becomes a man of peace for the United Nations, a man who stresses international relations, a man who wants to derive rid of nuclear weapons, a man who sees the destruction of the environment from global warming.

    Ted Turner: I give thee..

    Minister: In the title of the Father...

    Ted Turner: In the title of the Father...

    Narrator: In the years to come, Ted would sell Turner Broadcasting to Time Warner, and he would cease to play a prominent role in CNN.

    Ken Auletta: He'd become convinced that the media were always becoming more and more concentrated with these giant companies, and you needed a tremendous amount of energy and resources. He felt he didn't endure the resources to compete, and he was losing his energy.

    Narrator: But in 1991, Ted Turner was on top of the world. Only one thing was missing: If I had one wish, Turner said, it would breathe to endure my father Come back...I'd fondness to elaborate him the whole shootin' match...I cogitate he'd really devour it.

    Russell Simmons: complete right, they can accomplish it.

    Employee: Russ, this is the factory. What they --

    Russell Simmons: What -- is it too expensive, you say?

    Employee: It's just that there are a lot of unknown variables.

    Russell Simmons: No, we're making sneakers in [expletive] Hong Kong just fondness everybody else, although I know some of the other competitor, competing companies...

    Bill Stephney, Def Jam, 1984-1989: Russell Simmons is a fearless, driven, commerce person, thinker.

    Russell Simmons: I want to breathe in their factory, in China, to show...

    Bill Stephney: Russell created this model of the multi-tasking, African American, confidant icon.

    DMX: [Chanting]

    Russell Simmons: I want that whole London, Paris, Berlin, complete that stuff tied together.

    DMX: Bring it! What?

    Alex Ogg: If you're wondering why kids are wearing baseball caps backwards. ... If you're wondering, you're wondering, why so many white kids are impersonating black culture and taking their role models as...rappers, it's complete to accomplish with the artery that Russell Simmons has marketed the artistic phenomenon which is hip hop.

    DMX: Come on. Is you cats doin' comin' around fondness this?

    Narrator: Russell Simmons sits on top of a multi-million dollar hip hop empire. But he didn't restrict his commerce to music. He created a cultural movement in hip hop fashion, comedy -- and even poetry, giving voice to a locked out segment of society.

    DMX: That's my word.

    Narrator: Hip hop became known as "the CNN for black America."

    Alan Light, Editor, "Tracks Magazine": In a distinguished whirl of phrase, [rappers] referred to hip hop as 'black America's CNN'...

    DMX: Y'all go'n' discern that the hottest [expletive] out there was, is, and will breathe me.

    Alan Light: Before the Rodney King verdict in Los Angeles and the riots that followed, there was nowhere in the American media that you were hearing about...how nasty the situation of relations between the police and immature black men in this country had gotten. You didn't hear about these things from Dan Rather, you didn't hear about them in the modern York Times. These were things that were being discussed for years in rap records.

    DMX: They don't care...

    Russell Simmons: Sometimes they talk about rap and how people don't fondness to hear what the rappers are saying. That's God's soundtrack. You endure to listen to it.

    DMX: Bring the noise...

    Bill Adler, Def Jam, 1984-1990: Russell Simmons is the Moses of hip hop. He's the person who led the hip hop nation to the promised land of American success and prosperity...

    DMX: We're not going anywhere. We're right here.

    Bill Adler: In 1964, Russ' family was among the leading edge of Black folks who integrated Hollis, Queens, so they had achieved the American dream in that way...But there was always action on the corner and Russ...always wanted it both ways, I think. If he stayed home, he had two parents, and he was going to derive a satisfactory education...and if he went to the corner...He could derive into complete the mishap that he wanted.

    Nelson George, Author, "Hip Hop America": Russell was a low-level drug dealer...

    DMX: Oh my god...

    Nelson George: [and] there was a guy named Red who...was preying on and robbing the drug dealers of the money they would make. So he came on the block...and a group of guys out there, including Russell, gave chase. ... And someone handed Russell a gun.

    DMX: Crossed the line

    Nelson George: The artery he recounts it, it's fondness one of those moments of truth about whether or not, "If I shoot this guy, this is a nasty thing. But if I don't shoot this guy, if I don't shoot at this guy, I'll ogle fondness a punk.'

    DMX: Click, click boom

    Russell Simmons: I shot over his head. I told everybody I tried to murder him. ...He escaped. I didn't proceed to jail. I didn't murder anybody...I'm very, very lucky, and a lot of kids I grew up with weren't so lucky.

    Eddie Cheba: sequel your hands up, let's reach, let's reach, let's reach, until you reach...

    Nelson George Charles Gallery was a spot on 125th Street...about a block... from the Apollo Theater...

    Eddie Cheba: Somebody say, 'Oh yeah!

    Audience: Oh, yeah!

    Nelson George: So Russell goes in, he's at City College. ...And he sees Eddie Cheba.

    Eddie Cheba: Come on. Clap your hands and stomp your feet and say, 'Oo wee.'

    Russell Simmons When I saw Eddie Cheba spitting them flames on the mic...that first undergo blew my mind.

    Eddie Cheba: Somebody say, 'Oh yeah."

    Narrator: Until Eddie Cheba, Russell Simmons had never seen a rapper, someone who chants rhymed lyrics over music.

    Eddie Cheba: They don't necessity no music, a runt louder...

    Audience: They don't necessity no music

    Narrator: Cheba's chanting wasn't as sophisticated as later rap music, but when Simmons heard it, he felt as if he'd witnessed the invention of the wheel.

    Eddie Cheba: Uh huh.

    Russell Simmons: I knew then that I wanted to participate that, promote that.

    Nelson George: And that led...Russell...to evolve out of being sort of a scrambling, college student-slash-drug dealer into a promoter, entrepreneur.

    Russell Simmons: This is the color, right here. Alright, let's just drudgery on that a little, develop it a runt further. I fondness it. They haven't had a decent casual shoe in a long time.

    Nelson George: Russell Wendell Simmons is a remarkable American innovator, because he took something that no one wanted, which was hip hop music, that most people disdained,

    DMX: What?

    Nelson George: and helped pushed it outside the doors to a situation that no one could endure imagined.

    DMX: Just fondness that.

    Harold Evans: Russell Simmons produced the browning of America, in the sense that a culture that was born in the ghetto became universal. Seventy percent of the kids buying rap records are white.

    Russell Simmons: ...the modern and improved Phat Classic...

    Nelson George: There will breathe people studying Russell's career at Harvard commerce School, if they are not already, trying to figure out how this happened.

    DMX: We're right here.

    Holly Taylor: Russell's gotta go, guys. I'm sorry.

    Narrator: It's opening night on Broadway for a daring modern elaborate that Russell Simmons has produced. The entire elaborate will feature poets reciting their hip hop poetry -- urban, sometimes offensive, in-your-face poetry.

    SOT: As the founder of Def Jam Records, he has helped bring rap music to the mainstream.

    Narrator: Russell's hustle is in high gear on this day to promote the modern show.

    Russell Simmons: satisfactory morning.

    SOT: satisfactory morning.

    Russell Simmons: If you proceed to a high school, maybe 80 percent of the kids raise their hands and articulate they're writing poetry. It's an obvious step, I believe, for hip hop.

    Narrator: Simmons knows that hip hop offends many people. "To those of you who feel that way," Simmons says, "I just inquire you to breathe open to hearing my story," the narrative of how a low-level drug dealer became a Broadway producer.

    Russell Simmons: Now, we're complete down to the press conference. How are ya doing?

    Narrator: Around the time Russell Simmons headed to City College in Harlem, the ghettos of both Harlem and the South Bronx were undergoing a sea change. Coming from the parks of these written-off neighborhoods was a song unlike anything heard before.

    Bill Stephney: There were problems in the 70s. They had inflation. In modern York, they had a terrible fiscal crisis. Cuts to arts programs and school programs basically knocked out. immature people say, 'Well, you know, if you can't give me that symbolic situation to party, I'm going to proceed into the park, and remove my parents' turntable, and I am literally going to create my own renegade party outside, outdoors, big, gigantic speakers. It's out of that necessity-being-the-mother-of-invention mindset that hip hop develops. And that's where Russell comes from, his entrepreneurship, his incredible skill to create opportunity.

    Russell Simmons: I'm gonna breathe brief, 'cause I'm not a public speaker or a remarkable orator, or nothing.

    Narrator: Where others saw a passing fad, Russell Simmons saw in hip hop a cultural revolution. And he wanted to lead the charge, by promoting Run-DMC -- a group that included his own brother -- with their plain-talking song, "It's fondness That."

    Run-DMC: Unemployment at a record high, huh! People coming, people going, people born to die

    Alan Light: What Russell did beginning with the first Run-DMC record, was say, 'It's just going to breathe guys rhyming on the microphone.

    Bill Adler: They don't necessity background singers, they don't necessity any horns. We're going to build music fondness they build it in the park.

    RUN-DMC: People in the world trying to build ends meet. You travel by car...

    Narrator: Simmons took a demo of "It's fondness That" to complete the major record labels and create no takers. White executives said 'no,' but so too did black executives.

    Russell Simmons: You know, blacks are very conservative. And to sign up these niggers out the street, to depict the images of black America, or to -- you know, that was a difficult one for them. The record executives were, you know -- polished, you know. They were lawyers. They weren't from the street. And if they were, they escaped.

    Narrator: Russell Simmons was determined to promote hip hop in a radically different artery from a 60s predecessor, Berry Gordy of Motown Records.

    Swingin' Time Host: There he is, the immature man. Berry, it's a enjoyment having you with us.

    Bill Adler: Berry Gordy was the president of Motown Records. He says, 'The only artery I can derive my black artists to Las Vegas is to whiten them up.

    Narrator: Gordy made his approach known on TV when asked about the first day the three glorious members of the Supremes walked into his office.

    Berry Gordy: Well, first of all, they weren't beautiful.

    Bill Adler: He was going to sequel the Supremes in satin ball gowns, and he was going to give them elocution lessons, straighten their hair. He's going to try and educate them white manners, is really what it comes down to.

    Run-DMC:

    Bill Adler: But Russell's concept was, 'I'm not going to build any concessions to white manners and to white styles.... I don't endure to cross over. I'm going to draw the mainstream in my direction.'

    Run-DMC: ...It's fondness that, and that's the artery it is...huh!

    Narration: Frustrated by the closed doors at the major record companies for his artists, Simmons sought out a Long Island punk rocker who had been making rap records in his scruffy dorm room. Rick Rubin and Russell Simmons got together in the plunge of '84 and formed their own record company: Def Jam.

    SOT: It's Def!

    Nelson George: So if it was 'def,' it was great, it was hot, it was exciting.

    SOT: It's Jam.

    Nelson George: 'Jam' is fondness a record, so 'jam,' so it was a 'Def Jam.' So that just meant that this is a passionate record.

    Alan Light: The unifier was Def Jam. Under that umbrella, there could breathe something as you know silly and goofy and accessible as the Beastie Boys.

    Beastie Boys: You gotta fight for your right to parrrrty!

    Alan Light: Something as political and edgy as Public Enemy.

    Public Enemy: We've gotta fight the power.

    Alan Light: Putting a record on Def Jam, it meant you were the best of the best that was out there. Every one of them sold. Every one of them was great.

    Run-DMC: My Adidas!

    Narrator: But Simmons wanted to sell more than music. He wanted to sell a lifestyle. And his desultory came when he directed his brother's group to sing about their favorite footwear.

    Run-DMC: ...on stage front page every elaborate I go,it's Adidas on my feet high top or low. My Adidas.

    Russell Simmons Anybody coming up in the hood, today or when I was young, knows that you can't wear foul sneakers. You're coming out of struggle. If you really cogitate of yourself a sure way, sneakers had to breathe clean.

    Run-DMC: Yo, my Adidas!

    Bill Adler: Russell arranged to endure executives from Adidas waft in from Germany to discern Run-DMC accomplish at Madison Square Garden. And there's a minute when Run's on stage, and he says, 'All ya'll wearing Adidas, let me discern you Adidas. Wave 'em in the air, right?' And so, "whoo", you know, there's 10,000 pairs of Adidas going in the air, and the guys from, you know Adidas from Germany are going, 'BOING.' You know, what? Here, remove a remarkable check now. They want you on their side.

    Run-DMC: My Adidas

    Narrator: Run-DMC went on promotional tours for Adidas, and their song headed for the top of the pop charts. Hip hop was clearly more than just music, and Russell Simmons was becoming its marketing maestro.

    Alan Light: You read statistics fondness a quarter of complete spending is somehow or other impacted by hip hop. People are talking to Russell Simmons about automobile lines now. There's not an cease to how remarkable this stuff grows, partly because hip hop has this sort of consumerist thing built into its DNA.

    Bill Adler: Russ started to discern the mode potential of hip hop very early on. Advertisers were going to Come to him to say, 'Listen, can they -- can they spend Run-DMC in a commercial, and will they wear these clothes for, for us?' And, you know, by that time, Russell is dating models, and he's going to runway shows. And you know, if Tommy Hilfiger is going to design something that's hip hop influenced and build a zillion dollars out of it, and Russ is sitting there, watching it happen, he's thinking: "Well, wait a minute. Why should he build complete the money? These are my people.' So that benign of thinking led pretty quickly to the formation of Phat Farm.

    Narrator: In the early years, it was a struggle to build Phat Farm profitable. Simmons refused to sell to remarkable city department stores that intended to relegate Phat Farm fashions to their "ethnic" or "urban" sections. He wanted hip hop to breathe a youth culture, not just a black one.

    Alan Light: Russell gets a summon from Madonna's camp, saying, 'We want some hip hop for this tour...We want to derive Run-DMC on this tour. And Russell says, 'Well, you know, you can't afford Run-DMC. Run-DMC is too expensive, you can't endure them. But I got this other act, I got this group, the Beastie Boys.'

    Beastie Boys: (yelling)

    Nelson George: The Beasties you know, um, well, the Beasties were white, and one of the things Russell had always preached in that time was that hip hop wasn't black music. It was teenage music. And that concept that hip hop was about an attitude toward life, as opposed to about color was very important.

    Steven Tyler: 1,2,3,4!

    Narrator: Simmons was now hustling hip hop to white America. He even managed to derive hip hop noticed on MTV after "Walk This Way," a breakthrough music video featuring Run-DMC and the already well-known rock group Aerosmith.

    Run-DMC: There's a backseat lover that's always under cover and I talk to my daddy, say...

    Narrator: At the time, MTV featured few black artists. And its suburban audience was isolated from the modern urban hip hop movement.

    Run-DMC: ... occasions the best things of lovin' was her sister and her cousin. And it started with a runt kiss, fondness this!

    Narrator: "Walk This Way" brought urban to suburban, white to black and rap to rock and roll.

    Alan Light: It would breathe difficult to spell out any more obviously what they were trying to accomplish with this song and with this video, breaking down the physical wall between rock and hip hop and bringing these artists together.

    Run-DMC/Aerosmith: She told me to: Walk this way! Talk this way!

    Narrator: 1986 was a heady year for Simmons. The album including "Walk This Way" went triple-platinum, selling mostly to white males. Simmons was the godfather of a whole modern hip hop empire.

    LL impertubable J: What's going on?

    Narrator: But in the early 90s, Simmons entered what he later described as the separate most difficult aspect of his life

    Russell Simmons: These kids who are not necessarily -- uh, don't endure the selfsame opportunities.

    Narrator: With his attention focused on other aspects of his hip hop empire, the innovative Simmons had stopped innovating, and his passionate record label went cold. The focus of the rap world quickly moved from Def Jam on the East Coast ...

    N.W.A.: divulge us where you're from; straight out of Compton.

    Narrator: ... to a modern figure of rap from the West Coast: 'gangsta rap.'

    Alan Light: Whether he wasn't listening enough to his talent scouts, his A&R people on the street, this whole movement sort of came up and caught him looking the other way. And Def Jam went through a slump in the first half of the 90s that was the most difficult time he's faced

    Harold Evans: One of the lessons in innovation is the minute you succeed is the minute you endure to start innovating complete over again. Because at the minute of success, you, benign of, the air goes out of you. You relax, you withhold doing the selfsame dilapidated thing. That's what happens with Russell Simmons with Def Jam records.

    Narrator: Simmons owed his record distributor $17 million, and he was floating payments for his artists on credit cards. If his hip hop empire crumbled, Simmons as an unprecedented role model would never Come to pass.

    Bill Stephney: His impact is when you proceed into a classroom of immature black kids, that you'll inquire them, 'Well what accomplish you want to be? Nine times out of ten, they say, 'Well, I want to Run my own business.' [And] that notion of controlling your destiny as much as you possibly can, did not exist within the community until Russell Simmons.

    Russell Simmons: So there's a truth you learn on the street.

    Narrator: During the bleak time for Def Jam, Simmons sought recommendation from the man he calls his mentor:

    Russell Simmons: Yeah, hello? Yes. Hey Donald.

    Narrator: not anyone other than Donald Trump, the true estate mogul.

    Russell Simmons: I hope so, he's a nice guy, I've been on his elaborate fondness four times so I...Donald Trump influenced me in a number of ways, but the thing that impresses me is what he said about himself having been out of commerce two or three times, but at least he had his name. Donald Trump's father told him, when he was going to title [a] pile Tiffany's, because he owned the rights to the Tiffany name, he said, "When you change your title to Tiffany, then summon it the Tiffany building. But for now, summon it Trump."

    Nelson George: Trump puts his title remarkable as life on every thing he does. Trump this, Trump that. And so Russell knew and learned from Trump that if Trump means buildings, then Def Jam means -- needs to count -- cool. Def Jam needs to count urban. Def Jam means attitude.

    Narrator: Simmons needed to bolster his Def Jam brand. And around this selfsame time, he noticed the emergence of black comedy nights, at clubs around the city, with in-your-face humor, just fondness hip hop music.

    Aries Spears: Picture Mr. Magoo having sex. Wouldn't that breathe cool. 'Cause Mr. Magoo would breathe like: Oh, Ah, Uh....

    Bill Adler: Russ says, 'I'm going to remove it to television now, and I'm going to birth a whole generation of hip hop comedians.

    Nelson George: But instead of calling it, you know, the Black Comedy Jam, he called it the Def Comedy Jam

    Announcer: It's the Russell Simmons Def Comedy Jam!

    Nelson George By emphasizing the benign of outrageous, edgy, raunchy flat of that comedy, he was able to find a kinship between that and the rap music.

    George Wilborn: But I endure -- I'm having this reoccurring dream that I wake up and one day there's nothing but rap music left. Can you imagine a world with nothing but rap? Can you imagine candid Sinatra singing rap? Pork. Pork, pork that cuchi. Pork, pork that cuchi, pork that cuchi, yeah. That bitch! Ha! That bitch better endure money.

    Russell Simmons: I had discussions with Bill Cosby. He was offended by the language. I'm more concerned with cursed ideas than I am curse words. That's my opinion, of course, right. And I'm likewise very excited to hear those people who are locked out, with their poetry, or their comedy, you know, talk about their experiences

    Eddie Griffin: '91 was a trip. '91 was a year everybody went crazy. Police lost their mother f---ing minds. I know you complete seen the Rodney King beating, came on every night, turned into a TV series.

    Russell Simmons: Def Comedy Jam became very popular.

    Nelson George: Def Comedy makes Def Jam seem even cooler.

    Russell Simmons: And if not for Def Comedy Jam, I don't cogitate Def Jam Records would endure survived.

    Martin Lawrence: Russell articulate a runt something to the people and how you feel.

    Russell Simmons: Thank y'all for the shroud party. I'll discern y'all next week. Peace.

    Bill Stephney: Russell presents that wonderful model of diversification -- that you endure a number of eggs in different baskets, so that if one basket indeed does fall, that you know, you're not broken.

    Narrator: And that is how Russell Simmons ended up, in November 2002, with an opening night on Broadway. With the Def Jam title fortified, Simmons had geared up to accomplish for poets what he had done for rap artists and comedians, in a elaborate called Def Poetry Jam.

    Poet: The streets ain't got nothing for you, shorty. Nothing but a history of misery and I'm spittin' realness hoping your feeling me...

    Russell Simmons: There's some blacks today, still, you know, they can't believe that those images are images of mainstream black America. Well, they're not. They're images of black America, the fraction that's been left behind.

    Def Poetry Ensemble: I write America. I write America. I write America. I write America. I write America. .... I write America. I write America. I write America -- a Dear John Letter.

    Alan Light: Russell Simmons took the perspective and the sensibility of an entire segment of American society that did not endure access to the mass media. And not only got them in front of the repose of the world, but got them in front of the repose of the world in such a artery that it changed the repose of the world.

    Poet: It's fondness this. It's fondness that. It was poetry, but now they summon it rap.

    Harold Evans: America before hip hop and Russell Simmons was a very different country. It was a country identified basically by exclusion. For complete the high ideals in the Constitution, for complete the progress made over many years, it was noiseless exclusion.

    Poets: Hip hop, uh huh, yeah, what?, uh huh....

    Danny Glover: And the winner of the American Theater Tony Award for Best Special Theatrical Event goes to Russell Simmons' Def Poetry Jam on Broadway.

    Announcer: Accepting the award, producer Russell Simmons.

    Bill Adler : Russell Simmons, through his stewardship of hip hop, has made the world a browner place, a louder place, a more colorful place, a funnier place. He's managed to bring the races together. People are less fearful of each other, and that's -- that's a glorious thing.

    Audience: RUSSELL!

    Russell Simmons: I don't believe this.



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